Some Friday Night Music

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I started the evening at Motor City Wine where trio Nomadian was playing. They are usually a good show. When I got there, there were so many people in the place that there was no place to sit. Since I arrived at the end of a set, I hoped that some of the crowd would clear out so I could both hear the music and sit down. While waiting, I chatted with a few people I know and some oven brought me my drink.

20140105-152332.jpgLeft to Right: Demetrius Nabors (keys), Kris Johnson(tpt), Damon Warmack(elec. bass) and Nate Winn (drums).

The first sone of the second set was “Mind the Gap” composed by Damon Warmack. It is one of the songs I like and I was happy. But then, some women joined the birthday party going in full swing going on in the center of the room. While half the table was talking loudly so they could be heard, others were checking their phones to make sure they were not missing anything. My view of the music area was blocked by two guys standing in front of me. They did step aside long enough so I could take a picture. As you may have guessed, the place was not conducive to listening to music so I left after one song.

It was cold and the parking lot was cleared. There were still areas where the snow was not clear so getting to the back of the lot without getting snowy feet was a challenge. I took I the drive to Bert’s where James Carter was having his 45th birthday party. The parking lot showed it was a large party. Once again, I walked in as the last notes of the first set were sounded.

It was the John Douglas Quartet amplified. James Carter is a well known national and international saxophone player. He lives in New York but spends a great deal of time in Detroit which is where he grew up. I have seen him frequently late at night when he Ian’s walks in to jam at Bert’s. Last Friday at Bert’s, their were so many musicians in the place that night all wanting to play. And play they did. I stayed from midnight to 3:15a.m. and left in the middle of the last song. There was even a birthday cake.

20140105-155427.jpgLeft to Right: John Douglas(tpt), Mike Malis(keys) and T Pablo Lowman(percussion).

John Douglas did a great job of organizing and making sure things ran smoothly. They did “God Bless the Child”, “Giant Steps”, “Georgia on My Mind” and Moanin'”.

20140105-161242.jpgSax Player: James Carter

The birthday guest stepped in on almost all the numbers. Between sets he did an impromptu duet with Michele Ramos ( adapted guitar) which was really nice. James Carter is such an exceptional player that it is hard to listen to the other players so it took some time for me to relax and listen to the gestalt of the piece. It added depth and a complexity to the pieces.

When the second set started, the base group was John Douglas(tpt), Ibrihim Jones(bass), T Pablo Lowman(percussion), Gsylynn McKinney(drums), Mike Malis(keys), Reichlan Small(guitar) Joan Belgrave(vox)and James Carter(sax). As y end. you can see the everyone was doing their best to make this a party to remember.

I can say I got up to leave several times and the music drew me back until almost the end. There were many other musicians who got up to play and I have listed them in tags. They all added to the fantastic night of music that I am so glad I didn’t miss.

The Dirty Dog Jazz Cafe, 11/7/13….The Meal

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When I first noticed the three course for thirty dollars, I had wanted to try it. When I checked out the prices, it was a good deal. So last Thursday night when we went in to see Tumbao Bravo ( another post), I finally ordered the meal. All the choices were also on the regular menu.

I started with the spinach salad. I had eaten it before and it was not spectacular. It was different from the usual house salad. The spinach was baby spinach. In addition, there was a half a hard-boiled egg, some red onion, some roasted red peppers and mushrooms. The dressing was light and the salad was not heavily dressed. As it comes to the table, the spinach is in the middle and the other ingredients are in each corner. And it is a mixing project at the table.

For the entrée, I ordered the baked salmon. I cook salmon often at home and I have developed a couple of sauces and ways to cook it that I really like. There was a little alarm voice going off in my head saying don’t do it. I asked the server if it was wild caught or farmed. She said farmed. The little alarm got louder. It said baked with seasonal vegetables. And a louder alarm sounded. I was so hungry for salmon, I ordered it anyway. It was over cooked and bland for my taste. I can say the glaze which was a good addition. I think it was ginger, soy sauce and honey or some other sweetener. The seasonal vegetables were Brussels sprouts and chick peas in some sort of other seasoning. As I ate the veggies, I got a definite crunch in my mouth. It was bacon. In fact, there were several noticeable pieces of bacon in the seasonable veggies. The pic below is really much worse than the food. I turned off the flash and the camera compensated by adding a red filter. The restaurant asks that patrons do not use the flash while the musicians are performing.I did as much as I could with my limited editing capabilities.

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The dessert saved the meal. They called it an apple crisp with cinnamon ice cream, in a phyllo pastry cup on a bed of caramel. The apple in the phyllo cup was diced and cooked in apple pie seasonings and warm. It was topped with the cinnamon ice cream. I managed to scrape a little caramel off the plate with each sweet, tangy bite. It was a wonderful ending especially with the great coffee they serve.

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Tumbao bravo was performing that evening and they are different from what I usually see. That is for another post.

Other Music This Week

I went out several times and only have mentioned one so far. Now, time to mention the others. It may seem strange how often I go out. For me, live music of the kind I like brings me to a transcendent place and it is a place I like. I feel like it is my authentic self rather than the self that is proscribed by all the the conventions that are a part of getting along in the world. Since I don’t drink alcohol, it is a “high” that can go on for hours and even days.

Last Monday, I went to the Monday night at the Harbor House featuring the Milt Show. The base group is Milton Hale(dms), Phil Hale(keys) and Greg Cook(bass). This week, Chris Branch(sax) joined in for the first set. I was sitting with a couple of girlfriends. They are both listeners and do not do a lot of talking while the music is playing. It was a good evening of music. During the evening there were two sax players…..Chris Branch and Scott Reiter. Both of them are good musicians. And there were four trumpets…..Dwight Adams, Alan Denard, Mark Croft and David Greene. Dwight Adams plays with Stevie Wonder. He is one of my favorite trumpets. His notes are brain piercing clear. When he plays the trumpet, that is all there is. I am completely drawn into the music. These are all experienced musicians and play so well together.

During the second set, Misty Love sang. My table friends left and another girlfriend joined me. It was a good evening.

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Dwight Adams on trumpet, Milt Hale on drums and Phil Hale on keys…

Last night is was Bert’s Jazz Room again and the John Douglas Quartet. The quartet this week was John Douglas(tpt), Mike Malis(keys), Ib Jones(bass) and Butter Hawkins(dms). I was there for the second set. When they did “Lazy Bird”, everyone in the place started cheering. Mike Malis was so hot that when another musician touched him you could almost see the steam rising from his body. There were other musicians as well : David Greene (tpt), Dan Rice(trbn), Mark Croft(tpt) and Roger Vincent(dms). It told Mike after the set hold much I thought he had improved in the last year. He said that meant a lot to him. He had seen me in the audience for a couple of years and knew I was a listener. It pleased me to hear that it meant something to him. I gave John a hug and left.

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John Douglas in light shirt standing to the left, Mike Malis on keys, Ib Jones on bass, Butter Hawkins on drums and David Greene sitting on the stage at right.

I am glad to go back after an incident two weeks ago which made it so difficult to go back to Bert’s. I had to force myself and I’m glad I did.

Walter White Quartet at Cliff Bells

I went out to hear some jazz on Saturday night, May 25, 2013. My original plan was to go to Bakers Keyboard Lounge in Detroit to see Phil Denny. Bakers is the oldest jazz club in the world and has had it’s ups and downs in the last few years. They do have great sound and have so many wonderful jazz players coming through the place.

A Facebook page said they were sold out so I called and they said they were accepting walk ins for the 10 pm show. I know a couple of musicians who were backing Phil Denny so I decided to go. When I got there, there was a line waiting to get in the door. I joined the line. I was standing behind a woman wearing so much perfume, I tried to stand downwind. I know they were going to flip the room between shows so I had thought there would be seats. On the inside, it is crowded. The sight of a long line was not reassuring. I also know the room has a lot of seats that are not good. While I was in line, I saw a musician I knew and I told him that it was this show or Walter White Quartet at Cliff Bells, another jazz club in the entertainment district of Detroit. Given the situation, he suggested Cliff Bells and the Walter White Quartet. I was all too ready to agree knowing I would not get a decent seat at Bakers.

So, I got in the car and drove down to Cliff Bells. I had good parking karma and found a spot within 50 feet of the front door. I arrived towards the end of the first set but could see it was a good decision as soon as I walked in the door and heard the music.

I got a great table right in front of the stage. During the set break, they were correcting sound issues they had during the first set. The sound guy is not humble and I was amazed to see him actually try to get the sound balanced. I got my usual club soda and lime and watched the sound show while waiting for the second set.

Tonight the Walter White Quartet consisted of Walter White (tpt), Gary Shunk (keys), Sean Dobbins (drums) and Miles Brown (bass). They started out with a song names “Kayak” which I had not heard before. I have only been going out for 6 or 7 years and am still learning so much, it was a good start.

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The next number was “Midnight” from the 1930’s as an homage to a young lady in the audience having her 30th birthday. It was not the usual. The next number was “Moanin” and if this was the only song they did, it would be enough. They did it so well it was a highlight for me. The other songs in the set were “Always and Foreever”, Walt’s Waltz and Nica’s Dream.

One of the best things about the quartet is how well they created a good energy. Walter White is so much more than good technique. He has found his voice in the trumpet, you can hear him in the music. There were some things he was doing that I haven’t heard before and I enjoyed it all. All the musicians had there own unique voice and yet they brought it together to create something very special. It is so much fun to see musicians who are having fun, enjoying what they do and giving everyone an evening to remember.

Giving Myself Permission

I have been going out to listen to music in clubs for about 7 years now.   In my travels to the jazz clubs in Detroit, I fell in love with the music.  I actually started with R&B, tried some blues and then jazz.  Detroit usually means the straight ahead edgy jazz.  So I began to wander into the many music clubs in Detroit.  As a single woman, the first part of giving myself permission was to go alone and listen to the music. I asked some of the single women I know to go out with me and was astonished when the  response indicated they thought I was going out drinking.  Some people do it that way. Music goes straight inside of me and breaks into my emotions and sets them loose.

And I love the lift to my mood.  I found that many are not there to listen to the music.  It took me some time to even begin to understand this very foreign culture.

Luckily, I do not drink so my observations  were sober.  I learned that so many people make assumptions about any new person that shows up.  I learned that some people talk about everybody.  And I met a few that are upstanding ethical people.  I learned that profession of faith or religiosity had little to do with predicting ethics.  I learned that some married people just do not take it seriously.  So. the music was so uplifting and at times the surroundings were so toxic.

I was so pleased, at first, when musicians asked my name and wanted to get to know me.  I felt honored and a part of something.  I didn’t know the names of any of the musicians and now I know the name of quite a few.  I went out more and more.  I went to events just because someone asked.  As I went to so many events and to so many different kinds of music my own personal tastes began to form and change.  I now know what I like to hear the most and it is the tight, edgy, funky Detroit straight ahead jazz.  So, I gave myself permission not to go to some events where a musician invited me simply because I did not like the music they produce.

Last night I went out to hear some of the music I like and knew the keyboard player I like was not going to be there until later in the evening.  The  substitute keys were not good.  Listening was a struggle.  The musician was not incompetent but the synergy of the group was sadly lacking.  I gave myself permission to walk out.  And I enjoyed it.