My last day for working this season was April 15. It took me some time to recover. The last few days are always hectic and mind numbing.
By Thursday, April 19, I was in the mood for some music and headed out to Motor City wine for the Mike Jellick Trio. I new they would be adding a tap dancer for part of the evening. The past experiences I have had mixing a jazz and impromptu tap has not been good. The info I had said she was a professional tap dancer which put her above my previous encounters.
At first, it was only the trio playing. I had walked in after the set had started. I stopped at the bar and ordered a Blood Orange San Pelligrino. The place had almost every table filled. When I was here last, there were very few people. I really like seeing a group begin to get an audience. They did some familiar numbers and Mike did some great improvisation. Then, they called up Claudia Rahardjanoto, the tap dancer. She was really good.
In jazz, there are sometimes a change in tempo or a change in time signature. The thing I appreciated most about the tapper was that she did not force her dance through the changes. She was much more able than the usual dancer to navigate the jazz changes. It was such a pleasant surprise.
They closed the set with Rhythm-A-Ning by Thelonious Monk, one of my favorites. And I loved it. I could feel the music. I was sitting right in front of the drum speaker so for much of the set, I heard more of the drum than anything hing else. Somehow though, it all worked out in this number. I played it on the way home.