Jazz on Monday Night at the Harbor House

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Monday, July 29, 2013, jazz at the Harbor House started with the usual house band which is Milton Hale(drums), Phil Hale (keys), Greg Cook(bass) and Chris Branch(tenor sax). I got there later than usual and the band was already playing. The nice part of getting there when the band is playing is that I can get settled and comfortable a before chatting with anyone. I’m an introvert is a social setting which means social interaction can be difficult. I have been around enough so that people do talk to me. The idea of introducing myself to someone new is torture and so I just don’t.

I sat where the sound is good. Each venue is go to has a different sound pattern which varies depending on who is playing. For the most part, the Harbor House is too loud. Part of the sound issue is that I don’t drink alcohol. Alcohol deadens the senses including hearing so I may be the only one who is bothered by the loudness. With the Harbor House, the solution is not found by going to the back since the sound is distorted there. Sitting in the middle means you cannot see the band. This time I sat a little back which for me is the best compromise place.

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This picture above from left to right shows Chris Branch, Glen Oliver on bass, Milton Hale on drums and Phil Hale on keys. Glen Oliver filled in on both keys and bass that night. Quite a few musicians showed up to play and it made for different configurations. Mark Croft(tpt), Alan Denard (tpt), Allan Barnes(sax), Sabrina(sax), Misty Love(vox), Sky Covington(vox), and Denise Dotson(vox) all were a part of the jam.

I talked to Chris Branch a bit about my dulcimer during the break. He thought I played the mountain dulcimer so I showed him a pic of the hammered dulcimer which is really a harp on a board. The strings are played with hammers.

The best song of the evening for me was Fee-Fi-Fo-Fum(Wayne Shorter). All the musicians played a bit on this one. This is the first time I can recall the song being done here and I really enjoyed it. The musicians really worked well together on this one.

Then, Milton called up Misty Love to sing “What a Difference a Day Makes” and she did a great job as usual.

Sky Covington (left) with Allan Barnes on sax did “Love for Sale”. Scott Reiter (sax) also accompanied Sky. The mike was a bit muffled but otherwise it was a good version of the song.

Lastly, Denise Dotson sang which is the last song of the evening.

The band closed as usual and I went home.

2 thoughts on “Jazz on Monday Night at the Harbor House

  1. Probably those brick walls shape of the room muddy the sound in a jarring almost echoey way, so that the effect is too loud, because you can’t separate and process the individual sounds and there is even more distortion in some parts of the room than others. Still, I wish I was there. Sigh. Does anyone dare dance?

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